Creating Dynamic Characters Your Readers Will Love

Creating Dynamic Characters Your Readers Will Love You hear a lot about dynamic characters and the reasons for creating them. For a book to become a bestseller, dynamic characters are a necessity. But what is a dynamic character and how does an author pull that multi-dimensional character from his or her mind and on to a three-dimensional page?The official definition of a dynamic character is one who undergoes changes throughout the narrative, due to conflicts he encounters on his journey. The unofficial definition is a character who, throughout the story, is starkly and wonderfully human. Lets explore that for a minute or two and determine what traits take a character from static and flat, to dynamic and rounded.Creating a dynamic character involves the changes that take place throughout the narrative. Photo by Ollyy on Shutterstock.Real people change, but they do it slowlyYouve likely heard the adage that people dont change, and perhaps in some ways, this holds true. However, its not really telling the full story- which is, people can and do change, its just extremely difficult for that change to occur. And this is the reason a dynamic character (who changes over the course of the narrative) is so difficult to create.The character arc a dynamic character must demonstrate is one that takes him or her from the familiar or ordinary, into something extraordinary, and its this adventure that brings about a change. As demonstrated in the heros journey, the hero must leave the ordinary world, have moments of self-doubt, meet a mentor or teacher, gain allies and enemies, and enter into the dark night of the soul to go through these kinds of changes. It isnt something that happens overnight and it isnt something that occurs without exceptional effort.Real people make mistakes and are far from perfectIf you go about creating a character who is absolutely perfect in every way, your readers simply wont identify with him or her. The reason? Well, we all know ourselves and we all know that were far from perfect (although n ot everyone admits that).We all are flawed and thats what makes us human, so your protagonist needs flaws, as well. Maybe your protagonist worries too much about what others think, so she goes out of his way to appease someone she shouldnt appease? Or maybe your protagonist hits the bottle too much and gets sloppy on the job while facing a battle with alcoholism? However you do it, ensure that your characters have real flaws that help readers identify with them on some human level.Real people have a backstorySit a group of writers together in a room and youll have a room full of interesting people. However, let those writers start telling where they came from, how they grew up, who their first love was, their religious background, and the one thing theyre most embarrassed about having done- youll then have a room riveting stories and characters. And thats exactly what needs to happen to the characters you create.Providing your characters with a backstory gives them added dimension. They become more than a name, a face, a career, and the clothes they wear- they become human. We see them as so much more because in knowing their backstory, or at least the highlight reel of it, we now have a greater understanding about why they act a certain way, what their motivations are, or what makes them tick, and these are all important qualities that a writer must relate to build a strong, dynamic character.Real people make mistakesAnother unquestionably human trait we all have is that we make mistakes. Those of us who claim otherwise are fooling no one but themselves. This is why its important to give your character limited access to knowledge of whats going on around them, or even a tendency toward a certain mistake that is a core element of their personality.Alternately, one of the best ways to have your character make mistakes is to put him or her in a situation that would be out of almost anyones depth. Doing so adds humanity and gives your reader a sense of empathy fo r the character, knowing that it would be a tough situation for anyone to face, and thus one thats prone to elicit mistakes. Your reader will immediately recognize the characters limitations (because weve all faced similar ones in situations out of our depth) and in doing so, see the characters humanity, as well.Real people have quirksYour character should have traits and quirks that add dimension to him or her. Beyond eye color, ethnicity, job or title, your character needs depth of emotion, physicality, personality and spirituality. Since the best writing is that which aims to show rather than tell, this article on mannerisms that will bring your character to life goes into extensive detail about how to show your characters traits, without resorting to telling your reader outright.For example, if your character has a tendency to lie or not tell the whole truth, he might pause while speaking a lot, or offer unnecessary details. If your character has social anxiety, she might keep h er arms crossed defensively or chain smoke while out in public. Or maybe your character has narcissistic traits, so he takes a lot of selfies, or waits for someone else to do tasks he should be doing himself. These are all ways to add character quirks and traits throughout your writing and add dimension to the character- even if that dimension isnt always positive.Real people face conflict and it changes them (for better or worse)Since the definition of a dynamic character is one who changes in the face of conflict, its important to understand the role that conflict plays in developing such characters. Without doubt, Cormac McCarthys The Road is a great example of how this is done.The Road follows the journey of a father and son in a post-apocalyptic landscape as they struggle to survive in the face of a decaying world (man vs. nature) and cannibalistic gangs or bloodcults (man vs. man). The father must also deal with his role as protector for his young son in a world that is diffic ult for anyone to manage and survive, much less someone responsible for the life of a child (man vs. self).In Chris Gilberts study, Illuminating Character Identity, Motivation, and Conflict in Cormac McCarthys The Road, he observes how the character responds to each conflict and changes in the process. Of course- at the core of his observation is how the characters are decidedly and tragically human throughout these obstacles and the resulting changes. He writes:[The Road] provokes questions about human motivation or, more essentially, human nature. Although other literary works take up this theme as well, The Road is unique in that it depicts the behavior of characters who are no longer informed and controlled by social institutions: there are no schools to learn in, no laws to obey, and no people to govern. In other words, this is a novel that suggests how humans behave when no one else is watching. Human nature is on blatant display, and more often than not, it is exceedingly dis turbing.Chris Gilbert, The English JournalGilbert mentions how he is often questioned why he chooses The Road to teach students about characterization, and his response is that these two figures, described as each others world entire, sustain an intensely uplifting relationship that captivates and transports the reader beyond the charred settings of the novel. In other words, they are a perfect study of how building a dynamic character, even in a devastating setting and plot, can be done. Or as Gilbert puts it, These two characters have provided me with invaluable opportunities to engage students in meaningful character analysis, critical inquiry, and self-reflection.Real people lose faithAlong the archetypical heros journey mentioned earlier, the hero faces what is known as the dark night of the soul. It is a moment of atonement, of recognizing the monster within, and coming to terms with what must be done to defeat it. Without this moment, the metamorphosis of self- the change tha t is needed- cannot occur. You can think of it as the moment when a caterpillar encloses itself in a cocoon to be alone and face the darkness.The humanity of your characters shines through most when they lose faith and experience the dark night of the soul. Photo by Edwin Andrade on Unsplash.In the same sense, when your characters go through this dark night of the soul, it is a moment that is both necessary and important for the character arc to happen. It is a moment of lost faith, of sadness, of mourning for what has gone and trying to find the willpower to move forward. For a character to become dynamic- that is, to change over the course of the conflicts and narrative- he or she must go through this cocooning process and come out on the other side of it victorious. Its at the core of what creates a dynamic character and will inevitably move your character from merely interesting to completely memorable.

Stakeholders For Barwa and Emaar Essay Example | Topics and Well Written Essays - 750 words

Stakeholders For Barwa and Emaar - Essay Example Based on this diverse industry portfolio, it can be deduced that Barwa has wide range of clients and they have all individual and distinct impact on Barwa. For example, shareholders, who are the real owners of the company, expect that the company should improve its financial figures by reporting higher net profit margin, earnings per share and so on. On the other hand, Emaar has more diverse business portfolio than the one reflected by Barwa. For example, Emaar operates in real estate, financial institutions, development industries, tourism industry, technologies and community management (hotel and resorts), shopping malls, strategic investment and industries as well (Group Structure, n.d.). Based on this analysis, it can be reflected that the Emaar shareholders expect more from the company management as the company has rich and diverse experience in the field of construction and real estate as well. Each stakeholder has own interests and concerns in both companies. For example, clients expect that both Barwa and Emaar provide quality construction and real estate services including timely completion of agreed construction and real estate projects and providing quality material, labor, cost estimations and so on. At the same time, the financial institutions, including investment and commercial banks and other loan providing agencies, are also concerned that both Emaar and Barwa should remain financially healthy and sound as their financial health enables them to maintain commercial relations with them; similarly, they are also concerned that both Emaar and Barwa must maintain their financial integrity and transparency as well. By having stable financial integrity and transparency, many financial institutions will be willing to extend loan or credit facility to both companies. Furthermore, the current and potential investors are highly interested and concerned to observe financial stability and financial

Describe Plato's philosophical analysis of the nature of knowledge, Essay

Describe Plato's philosophical analysis of the nature of knowledge, and explain what conclusions Plato drew for the methodolog - Essay Example Of importance to note is that, universals are made up of a system where particular laws are made under an ultimate law. Moreover, the virtues involved emanate from a general principle, over and above, the mathematical theorems of one fundamental truth. It is worth noting that the basic categories in, which universal are brought together revolves around beauty, truth, goodness (Cooper 2). Apparently, goodness is the greatness of the three. Understanding the nature of knowledge must entails the idea types which it belongs to, the eternal laws where it could be said to be a passing instance, as well as, the context in which it possibly fits in. For instance, the study of the earth entails perceiving its place with regards to the solar system, with the inclusion of it being a stage in the heavenly bodies, over and above, clarifying that its motion takes place in accordance to the gravity law (Cooper 3). Plato has his argument placed in the fact that knowledge cannot be achieved by use of experience but by reasoning, use of sense where they are meant to push the reasoning towards the consciousness of what it already has although at the extreme opposite, it could mislead the conscious. Apparently, experience has never been used to produce knowledge because the principles used in knowledge are universal and are very crucial in this doctrine as compared to experience that displays specific and casual ideas. In essence, experience must be preceded by something already in mind that could be used to interpret the necessary impressions of concerned human beings. Theory of Knowledge through Astronomy Consequently, Plato emphasis that human knowledge is inborn especially when he depicts an instance of a slave boy who was not educated and upon being asked question by some philosophers, he was able to think critically and hence attempted and displayed arithmetic and geometry knowledge. Through this instance, Plato argues that teaching only evokes what is already underlying. Si mply, a theory of knowledge is used to provide a clear conception of education (Meynell 13). In light of this, Plato uses dialectical reasoning particularly in astronomy where he is said to have attempted to use the elimination method giving the general analysis of astronomy. In fact, he emphasis on studying astronomy through mean of problems, over and above, eliminating the motion that is related to the stars in the sky. In the early days, Plato demonstrated a persuasive mode when he argues through writing on the use of embroidery in the sky as a model in studying other things that are associated to the nature of knowledge (Meynell 16). In reference to Timaeus, Plato is demonstrated in the modern world as a philosopher who expounded critically on the nature of knowledge. Apparently, he is quite impressed by the universal’s order and beauty especially through his mandate of explaining the universe in terms of purpose, and benefits (Meynell 19). Views of Aristotle about the na ture of change represent a departure from Plato It is apparent that there are distinct concepts of change evidenced by the transition of Plato philosophical concepts to Aristotle concepts. Nevertheless, this is arguably as a result of the ignorance of Aristotle complete system. Basically, Aristotle’

Restaurant Business Essay Example for Free

Restaurant Business Essay The popularity of fast food establishments came in the 1980’s, and over the last years, the industry has consistently posted double-digit growth rates. Supporting human resources include hotel and restaurant managers and assistant managers, housekeeping supervisors, security personnel, chefs, cooks, waiters, bartenders, and other related workers and professionals directly involved in hotel and restaurant services. Francis Villaluz a director for marketing of Gerry’s Grill was asked how’s the  restaurant industry  doing these days and what’s its greatest challenge? He said â€Å"It’s still doing well, were still getting crowds. There’s still a need for it. The restaurant industry does have seasonality like other businesses. Gerry’s Grill  has 17 branches. Growth depends on the area you are in. According to our survey, restaurants are location-driven. People who eat in a certain branch live or work a few kilometers away. † Villaluz also mentioned that in the course of business, if sales will slightly go down, it means businessman have to reinvent and repackage. Manilareview. com reported that like every other country, the food industry has flourished very well in Philippines. Filipinos love to eat and that’s the reason why you will see a lot of restaurants and fast foods restaurants scattered in the cities. These restaurants and fast foods can be local or international food chains. Filipino food and chefs are considered one of the best in the world. It is hardly surprising that Filipino food is often labeled as somewhat strange (like the â€Å"balut† for example) but in its own way, its food is a unique mixture of eastern and western cuisines and reflects the history of Philippines. The Filipino food includes dishes and cooking procedures from China, Spain, Mexico, United States, and more recently from further abroad. However, what makes them Filipino is the history and society that introduced and adapted them; the people who turned them to their tastes and accepted them into their homes and restaurants, and specially the harmonizing culture that combined them into modern Filipino fare. Some of the popular fast food chains of Philippines are Jollibee, McDonald, KFC, Chowking, etc. and popular restaurants being Abe, Chelsea, Friday’s, Chili’s and a lot more. Attracting a huge crowd to restaurants or fast foods require more than just good food. Though important, good food is only a part of the total dining experience. Equally important is believed to be the way people feel while in the restaurant. This physical and emotional response is a result of the atmosphere, the total environment to which customers are exposed. The proper atmosphere can make the food, service and whole dining experience seem better. For that reason a restaurant or a fast food must take care of the following to please its customers. This includes checking the cleanliness of the place and freshness of the food, guarded premises, parking area where people can park, ambiance and landscaping, building design, lighting, and even music. FOREIGN Even in a business based on flavor, theres no need to sugarcoat the truth: The restaurant industry is facing hard times. In December, the National Restaurant Association (NRA) released its 2009 Restaurant Industry Forecast that predicted although 2009 restaurant industry sales will exceed $566 billiona 2. 5 percent increase from last yearthe numbers translate to an inflation-adjusted decline of at least 1 percent. And thats putting it kindly. Right now, credit is tight and investment capital is practically nonexistent. Inevitably, the consolidation of the banking industry will have a detrimental impact on restaurants nationwide.

OxyContin New Entry in the Drug War Essay -- Essays Papers

OxyContin New Entry in the Drug War When concerned with the ethics of development in a global environment, the issue of drug abuse is of particular importance. All of the different aspects of the drug trade impact a nation, and specifically the development of a nation within a global environment. Within the United States, drug abuse has been prevalent among specific populations in society for almost a half of a century now. Historically speaking, drug abuse has erupted in many directions; new drugs have offered new markets, new trends have developed new habits. These patterns have become societal concerns on many levels. The creation of new drugs has added another dimension to prescriptive drug abuse. Though science is making enormous advancements in the field of disease treatment, the discoveries are at the same time adding additional routes to becoming drug addicts on the prescription front. In addition, although illicit drug use by teens has been incrementally decreasing since 2001, it still affects a large enough population to interfere with the ever developing nation of the United States. As drug abuse continues to be initiated in adolescence, the chances of it manifesting itself in adult society remain high. Efforts to contain both prescriptive and illicit drug abuse have both failed and succeeded, on different wavelengths. One of the first drug abuse prevention programs, D.A.R.E., has recently been classified as ineffective. More institutionalized, nationally funded efforts of the United States government have begun to target foreign hierarchical drug pyramids in an effort to halt drug use within America. This paper will examine these issues surrounding prescriptive and illicit drug abuse, with the former ... ...ycodone HCl Controlled-Release)Tablets Information. 9 Mar. 2004. http://www.purduepharma.com/pressroom/app/news_announc/ss_pr.asp?NType=3 NIDA. Cocaine Effects. 9 Mar. 2004. http://www.cocaine-effects.com/. NIDA. Message from the Director: Increased Abuse for Prescription Drugs is Cause for Concern. 9 Mar. 2004. http://www.drugabuse.gov/about/welcome/message304.html. ONDCP Drug Facts, â€Å"Crack†. 9 Mar. 2004. http://www.whitehousedrugpolicy.gov/drugfact/crack/index.html ONDCP Drug Facts, â€Å"OxyContin†. 9 Mar. 2004. http://www.whitehousedrugpolicy.gov/drugfact/OxyContin/index.html U.S. FDA. Prescription Drug Use and Abuse. 3 Mar. 2004. http://www.fda.gov/fdac/features/2001/501_drug.html U.S. FDA. Prescription Drug Use and Abuse-Controlled Substances. 9 Mar. 2004. http://www.fda.gov/fdac/features/2001/501_drug.html#controlled

Eddie’s life Essay

Eddie is showing that he is faithful to his duties as a husband by showing consideration towards Beatrice. This would show Eddie as a better man because despite Beatrice disobeying Eddie by wanting to go the wedding, Eddie still cares for her as a wife. Beatrice: (very nervous and agitated) Why don’t you go to the kitchen and get some coffee. Beatrice is giving a sign to the audience as well as Eddie that something is wrong because at this time the audience also don’t know that it is Marco who is approaching the house. Also, usually in a Sicilian household a wife would make coffee for the husband so Beatrice’s behaviour is odd. Eddie: Look, I don’t want no coffee. Now tell me what’s the matter B. (Eddie gets up to approach B but then looks at the window and sees Marco approaching the front door) that scum, lemme at him (he rushes past Beatrice and through the door to the porch). The first sentence is grammatically incorrect which shows the dialect these characters speak in. The Carbone family are an uneducated and working class family, which says that perhaps Eddie is not the tragic hero in this play. Usually ‘heroes’ are people of importance like ‘Macbeth’ who was ‘Thane of Cawdor’. Beatrice: Come on Eddie, calm down. If you hurt him, you’ll be in an even worse position than you’re in now (Eddie seems to be considering Beatrice’s words) This shows Beatrice’s practicality and care for Eddie (Marco enters first. Rodolfo and Catherine follow, holding hands) Eddie: (extremely angry tone of voice) You dirty rat. You have made my life a living nightmare. Marco: You brought it on yourself. First, you humiliate my brother and then you steal food from my children! Where I come from you wouldn’t be living to experience this misery. (About to lunge on Eddie) This emphasises how different the Italian way of life is. This is similar to Miller’s script when Marco says ‘in my country he would be dead now’. I included this dialogue by Marco because it brings out the theme of law and justice in the play. It shows that for once Marco is unable to adapt to the American way of life. Justice and law however are not the same thing and the conflict between them runs throughout the play. From previous work I found out that in 1920’s America, law was not fully abided by the American people. Miller gave the role of the chorus to a lawyer to demonstrate this. Alfieri is telling us of gangsters, the Sicilian past and a people unwillingly accepting the law at the beginning of the play to show this. The fact that this play evolves around illegal immigrants also shows how much the law was really believed in. This dialogue from Marco also shows the theme of loyalty. .Alfieri talks about gangsters in the opening speech, which immediately leads the audience to think of the Mafia. The Mafia is greatly involved in business as well as organised crime. ‘Family’ members are protected; enemies or those who let down the family are treated pitilessly. These views are constantly emphasised throughout the play. When we first meet Marco he shows himself powerful by his actions rather than his words. He is very modest and almost all his conversation is dominated by the wish not to cause trouble- ‘when you say go, we will go’. He thanks people frequently, he quietens his younger brother, he refuses food and he wonders if they can accommodate him for the time being in such a small house. This is why he only has one speech to say in the whole of my script because as I have said before Marco is powerful by his actions rather than his words. From his actions here we can see he is still calm, and able to control his feelings because his tone is calm but then he ‘lunges’ at Eddie which shows that Marco is only human. Marco has been able to control his anger in previous scenes, for example when he held the chair over Eddie’s head but the fact that he lunged first shows how much anger he actually feels. In my ending Marco is a lot calmer, he didn’t directly invite Eddie to fight with him like in Miller’s ending: ‘Eddie Carbone’, ‘Anima-a-a-l’. I think my ending gives more power to Marco because Eddie sounds as though he is going insane because his life has been made ‘a misery’. It also shows Eddie as less cowardly because we can see how much Eddie has been affected by what Marco said before. Also the calm appearance of Marco shows he has control and hasn’t been driven crazy by all the events that have happened. Both Eddie and Marco have feelings of injustice. Eddie has his strongest feeling of injustice when Rodolfo arrives which is one of the causes of the rivalry between him and Marco. Eddie dislikes Rodolfo so teases and humiliates him, which causes Marco to humiliate Eddie. Eddie has been a father to Catherine all her life and â€Å"gave her the food out of his mouth†. He paid money to her so that she would meet a better class of people and there are subtle hints that he is attracted to her as well. He is justified to feel jealous and spiteful towards Rodolfo when he comes over from Italy and wins Catherine’s heart. He feels betrayed by Catherine that she has suddenly run off and lives her own life (this also could be attributed to his fear of Catherine growing up, and that she is not his little baby anymore. ) In his extreme anxiety he betrays them to the immigration bureau. In doing this he has also betrayed a neighbour’s cousins as well as Marco who is trying to make money to save his family. Not only has he betrayed his family he has betrayed himself and his word of honour, which means so much in the Italian culture, and to Eddie himself. Eddie’s own words were,† You can quicker get back a million dollars that was stole than a word you gave away. † Eddie has betrayed his own beliefs, and lost the respect of his whole community and his honour. The community has turned against Eddie, who ignored Alfieri’s words of warning: â€Å"You won’t have a friend in the world, Eddie! Even those who understand will turn against you,† Marco publicly denounces Eddie as a murderer, because Eddie has denied him the possibility to work in America to provide for his starving family’s desperate needs. It is Marco that is his opponent now, not Rodolfo, because Marco has taken Eddie’s name and honour. It is Marco’s belief that he has the right to take revenge and it is his duty to do so for the sake of his family. He cannot see why according to American law Eddie goes unpunished, â€Å"In my country he would be dead now. † In Italy the law was not all in a book and justice was more to do with feelings and emotions. Eddie is inevitably going to be merciless opposition when he demands ‘his namei back. The two men have basically the same beliefs and values, and after this head-on collision death is inevitable, because both men believe they are in the right and have gone too far to be able to give any ground or compromise. It is all or nothing. Marco has already ‘tried settling for half’ but Eddie hasn’t so Eddie’s death is the inevitable consequence of the play. Marco and Eddie are quite similar because they are both driven by their belief in a code of behaviour, in traditional standards of right and wrong. At the start of the play Eddie worries about Beatrice and Catherine not understanding the power of the United States immigration Bureau and then he launches into the Vinny Bolanzo story, which is a premonition of Eddie’s own story ‘Like Vinny Bolanzo†¦ you can quicker get back a million dollars that was stole than a word that you gave away’, it a short line but is of major significance. It is Eddie who speaks the line that later relates to his own dishonour and the loss of his good name: Before Eddie calls the immigration bureau, he goes to Alfieri for advice. The use of lighting is very important here because we are distracted from Alfieri’s final words by the light rising on the telephone box. Alfieri questions perfunctorily, but we know that the law has nothing to offer Eddie and the most important speech of Alfieri’s actually spells out natural moral law: ‘The law is only a word for what has a right to happen’ Rodolfo: (jumps in between Eddie and Marco to stop them from fighting) Look, Eddie I am sorry, OK. It is my fault; I should have asked your permission before I take Catherine out. How about we all go to the wedding together, eh? (He offers to shake Eddie’s hand but Eddie ignores him and pushes him out of the way) This intervention from Rodolfo shows another important theme running throughout the play- honour. Honour must be maintained; that is the inevitable outcome of the feelings to family contained in this play. Eddie has many reasons to justify his dislike in Rodolfo. He thinks Rodolfo is gay but it is also the opinions of others, which causes him to dislike Rodolfo. For example when Mike and Louis make fun of Rodolfo, it is an insult to Eddie and his family. Beatrice: Eddie, he apologises to you! Eddie: I don’t care; he wasn’t the one who stole my name! Eddie’s sense of justice and fairness motivated him a lot in reporting Marco and Rodolfo to the immigration bureau. At the beginning this was positive for instance he thought he had to let Marco and Rodolfo stay because it was the right thing to do: †Then what the hell. It’s an honour’ B. , I mean it. I was just thinkin’ before, comin’ home, suppose my father did not come to this country, and I was starvin’ like them over there. And I had people in America who could keep me a couple of months? The man would be honoured to lend me a place to sleep†. This shows his family loyalty at the beginning of the play but towards the end his sense of justice and fairness seem to get lost. When he says this line it shows that he only cares about his ‘name’. This is similar to miller’s ending in that he refuses the apology from Rodolfo but seeks revenge from Marco. Eddie has almost made himself believe that he hasn’t done anything wrong which is shown here. Marco didn’t actually ‘steal’ Eddie’s name but juts told the truth. It was Eddie who ‘stole food from my (Marco’s) children’s mouth’ Catherine: (runs up to the porch after Marco) Why did you do it Eddie, why? Catherine again shows her naivety and that she was unaware of what she has done to Eddie. It also shows the audience that she probably wasn’t ‘walking wavy’ In my ending Catherine doesn’t really play a part in raising the tension like she did in Miller’s ending. I did this because I wanted to show Catherine as a scared little girl like she was in the beginning of the play. This would also give the impression to the reader that she did have feelings for Eddie. This would create more sympathy for Eddie, when he dies. Eddie: (weakening, he takes a look at Rodolfo and then at Catherine) Oh Katie. I can’t take this no more. I’m sorry. I never meant for this to happen. (Eddie rushes on to the street and jumps into his car and drives away) Here Eddie finally apologises for what he has done but not directly to Marco, as this would not show his proud personality. He does however finally admit he made a mistake, which shows him as a better person and makes his tragic death more distressing for the audience. This play doesn’t have any scenes or sequences, which are played off-scene so it may be difficult to bring a car onto the stage. Alfieri: (Alfieri is lit up and is in the centre of the stage. While Alfieri is saying his soliloquy, Beatrice, Rodolfo and Catherine look over the bridge. Beatrice is weeping and so is Catherine. ) The last anyone ever saw of Eddie was from the bridge. Most of the time we settle for half but not this time. I know he was wrong but he allowed himself to be completely known and so I will miss him greatly. This shows how Eddie was not able to ‘settle for half’ which was what led Eddie to his death. This speech of Alfieri’s is quite similar to Miller’s speech because I think it gives a summary of Eddie’s life.

Rogerian Argument Jejunocolic Bypass and Gastric Bypass - Free Essay Example

Sample details Pages: 2 Words: 551 Downloads: 6 Date added: 2019/02/20 Category Society Essay Level High school Tags: Rogerian Argument Essay Did you like this example? In 1963 the first Jejunocolic Bypass was performed, replacing barbaric procedures such as jaw wiring. The Jejunocolic Bypass was a type of bypass that rerouted and shortened the intestines creating weight loss by mal-absorption. Patients who had this procedure done would lose a substantial amount of weight in their first year after operation, but with complications. Don’t waste time! Our writers will create an original "Rogerian Argument: Jejunocolic Bypass and Gastric Bypass" essay for you Create order The complications were so severe that the procedure would be discontinued, and in 1969 the Jejunoileal Bypass was introduced. The first introduction of this procedure would be named Jejunoileostomy, and in 1976 a second revised version would be introduced. The revised version would be called jejunoileal bypass and caused extremely severe complications. The Jejunocolic Bypass was known to cause mal-absorption, and severe diarrhea, but its revised version, the jejunoileal bypass, caused a severe vitamin deficiency and neuropathy that would push the mortality rate to four percent. The jejunoileal bypass would then also be abandoned and in 1979 the Biliopancreatic Diversion would be performed, which would then later be converted to the Biliopancreatic Diversion with Duodenal Switch in 1993. It is important to note that gastric banding would also be introduced in the late 70’s, and is still available today, but most surgeons will not perform it due to complications. The preferred m ethod of weight loss surgery used today is the Roux-en-Y Gastric Bypass, which is the final form converted from the Jejunocolic Bypass, Jejunoileal bypass, and both forms of the Biliopancreatic Diversion. Roux-en-Y Gastric Bypass is the most popular, and most used weight lost surgery option today. Most medical centers that are approved to perform weight loss surgery will only offer Roux-en-Y, and do not recommend the Gastric Band. Roux-en-Y is now done laparoscopically, although in some cases still done by opening the patient completely up. Laparoscopic Roux-en-Y requires only 6 incisions to be completed. Although minor incisions outwardly, it is still considered major surgery due to the nature of the internal stapling of the stomach. During surgery surgeons detach the stomach from the esophagus as well as the small intestines. They leave a small piece of stomach attached to the esophagus that they then re-attach to the small intestines which then creates a small pouch that is now the patients stomach. The rest of the stomach remains inside the body but is no longer used. After surgery patients are required to stay in the hospital or medical center for one to two days for observation. During this time and two weeks after surgery they are on a strict liquid diet. Patients will then be instructed by their doctor over the next few months on how to start the implementation of soft foods back to a normal solidity of food while the new stomach route heals. A substantial amount of weight will be lost during this time of transitioning for the patient. Gastric Bypass is recommended for patients who are obese, which is defined as those who carry a BMI (Body Mass Index) of forty or higher, or whose BMI is thirty-five and higher with complications or ailments caused by obesity. Obesity complications or ailments consist of high blood pressure, high cholesterol, sleep apnea, joint or bone pain, and more severe complications such as type 2 diabetes, risk of stroke, and risk of heart attack. These complications are usually enough to make an obese person seek out treatment such as gastric bypass.